{"id":2482,"date":"2020-10-16T13:47:44","date_gmt":"2020-10-16T11:47:44","guid":{"rendered":"https:\/\/evaproves.beringserveis.eu\/?p=2482"},"modified":"2020-10-17T17:28:36","modified_gmt":"2020-10-17T15:28:36","slug":"morris-jane-y-rossetti","status":"publish","type":"post","link":"https:\/\/evablanestaller.com\/es\/morris-jane-y-rossetti\/","title":{"rendered":"Morris, Jane y Rossetti"},"content":{"rendered":"

\"\"
\nJane Morris en Blue Silk Dress<\/em>, de\u00a0Dante Gabriel Rossetti, 1868.<\/span><\/p>\n

 <\/p>\n

Morris, Jane y Rossetti <\/span>><\/span> Parte 4\/4<\/span><\/span><\/h1>\n

Tres a\u00f1os m\u00e1s tarde<\/span> de la muerte de Elisabeth, Jane Morris y Dante Gabriel Rossetti se convertir\u00e1n en amantes. \u00c9l la retrata obsesivamente en muchas de sus pinturas e ilustraciones, y encuentra en ella la inspiraci\u00f3n para escribir poes\u00eda. Sus pinceles perfilan el coraz\u00f3n de esta mujer cautivadora, reservada, de rasgos melanc\u00f3licos. Entre ellos dos nace una conexi\u00f3n profunda que durar\u00e1 toda la vida.<\/span><\/span><\/p>\n

 <\/p>\n

\u00abProbablemente no hay ning\u00fan registro de un pintor cuya personalidad creciera hasta el punto de estar tan sumergida en la forma y el rostro de una mujer\u00bb. Harry Quilter<\/span><\/span><\/span><\/p>\n

 <\/p>\n

\"\"
\nDante Gabriel Rossetti<\/span><\/p>\n

 <\/p>\n

Insomnia<\/span><\/p>\n

\u00abThin are the night-skirts left behind<\/span>
\nBy daybreak hours that onward creep,<\/span>
\nAnd thin, alas! the shred of sleep<\/span>
\nThat wavers with the spirit\u2019s wind:<\/span>
\nBut in half-dreams that shift and roll<\/span>
\nAnd still remember and forget,<\/span>
\nMy soul this hour has drawn your soul<\/span>
\nA little nearer yet.\u00a0<\/span><\/p>\n

Our lives, most dear, are never near,<\/span>
\nOur thoughts are never far apart,<\/span>
\nThough all that draws us heart to heart<\/span>
\nSeems fainter now and now more clear.<\/span>
\nTo-night Love claims his full control,<\/span>
\nAnd with desire and with regret<\/span>
\nMy soul this hour has drawn your soul<\/span>
\nA little nearer yet.\u00a0<\/span><\/p>\n

Is there a home where heavy earth<\/span>
\nMelts to bright air that breathes no pain,<\/span>
\nWhere water leaves no thirst again<\/span>
\nAnd springing fire is Love\u2019s new birth?<\/span>
\nIf faith long bound to one true goal<\/span>
\nMay there at length its hope beget,<\/span>
\nMy soul that hour shall draw your soul<\/span>
\nFor ever nearer yet\u00bb.<\/span><\/p>\n

Insomnia<\/em>, Dante Gabriel Rossetti.<\/span><\/p>\n

 <\/p>\n

La estancia en Bad Ems y la casa de Oxfordshire<\/span><\/span><\/p>\n

En 1969 Jane y William Morris<\/strong> pasan unas semanas en el balneario alem\u00e1n de Bad Ems para recibir un tratamiento ginecol\u00f3gico. Rossetti y ella se cartean intensivamente. Durante esta larga estancia Rossetti entra en un estado de melancol\u00eda profunda. Dibuja caricaturas sarc\u00e1sticas y tenebrosas sobre el matrimonio de los Morris y manifiesta tendencias expl\u00edcitamente suicidas.<\/span><\/p>\n

Morris, conocedor del affair<\/i> entre ellos dos y consciente de los rumores que empezaban a correr en los c\u00edrculos sociales londinenses le propone el alquiler de una casa rural conjunta en Oxfordshire \u2014Kelmscott Manor\u2014, para alejar la relaci\u00f3n del escrutinio p\u00fablico. Las dos familias se instalan en la casa y \u00e9l se va una larga temporada en Islandia, mientras Jane y Rossetti amueblan la casa.<\/span><\/p>\n

 <\/p>\n

\"\"Kelmscott Manor<\/span><\/p>\n

 <\/p>\n

Love is Enough<\/span><\/span><\/p>\n

\u00abLove is enough: though the world be a-waning,<\/span>
\n<\/span>And the woods have no voice but the voice of complaining,<\/span>
\n<\/span>Though the skies be too dark for dim eyes to discover<\/span>
\n<\/span>The gold-cups and daisies fair blooming thereunder,<\/span>
\n<\/span>Though the hills be held shadows, and the sea a dark wonder,<\/span>
\n<\/span>And this day draw a veil over all deeds passed over,<\/span>
\n<\/span>Yet their hands shall not tremble, their feet shall not falter:<\/span>
\n<\/span>The void shall not weary, the fear shall not alter<\/span>
\n<\/span>These lips and these eyes of the loved and the lover\u00bb.<\/span><\/span><\/p>\n

William Morris<\/span>
\n<\/span>Love is Enough<\/span><\/em>,<\/span>\u00a0or The Freeing of Pharamond<\/span><\/em>: A Morality, 1872.<\/span><\/span><\/p>\n

 <\/p>\n

\"\"
\nWilliam Morris<\/span><\/p>\n

 <\/p>\n

William Morris<\/span><\/span><\/p>\n

Deprimido por la deriva de su matrimonio<\/strong> y desencantado con la pol\u00edtica porque su versi\u00f3n ut\u00f3pica del socialismo hab\u00eda quedado marginada de los programas del movimiento sindical, se vuelca en la escritura, en la caligraf\u00eda, y en la traducci\u00f3n de textos sobre sagas islandesas. En un per\u00edodo de cinco a\u00f1os inicia la producci\u00f3n de 21 libros manuscritos en diferentes fases, de los que finaliza dos.<\/span><\/p>\n

Muere pl\u00e1cidamente un 3 de octubre de 1896. Su f\u00e9retro es transportado en un carro tirado por caballos, adornado con flores y ramas, como uno de sus tapices, hacia el cementerio de Kelmscott, donde descansa bajo una sencilla l\u00e1pida de piedra dise\u00f1ada para Philipp Webb. Estas fueron sus \u00faltimas palabras y voluntades antes de morir:<\/span><\/p>\n

 <\/p>\n

\u00abI want to get mumbo-jumbo out of the world\u00bb.<\/span><\/p>\n

 <\/p>\n

Dante Gabriel Rossetti<\/span><\/span><\/p>\n

A pesar de que su fama como pintor<\/strong> crec\u00eda y el \u00e9xito econ\u00f3mico le sonre\u00eda, derrumbado por las duras cr\u00edticas a su obra po\u00e9tica, intenta suicidarse ingiriendo una botella de l\u00e1udano \u2014tal como hizo Elisabeth. Esto lo conduce a un estado de coma profundo del que quedar\u00e1 parcialmente paralizado durante unos meses.<\/span><\/p>\n

Su adicci\u00f3n al whisky y al hidrato de cloral \u2014una droga que tomaba para combatir el insomnio\u2014 distanci\u00f3 y finalmente acab\u00f3 la relaci\u00f3n con Jane Morris. Mantuvieron un contacto afectuoso y ella sigui\u00f3 posando para \u00e9l ocasionalmente hasta que muri\u00f3 en 1882.<\/span><\/p>\n

 <\/p>\n

\u00abFrom perfect Grief there need not be
\n<\/span>Wisdom oro even memory:
\n<\/span>One thing then learnt remains to me,\u2014
\n<\/span>The woodspurge has a cup of three\u00bb.<\/span><\/span><\/p>\n

The Woodspurgue<\/span><\/p>\n

 <\/p>\n

Pasa los \u00faltimos a\u00f1os de su vida recluido, en un estado de salud decr\u00e9pito, s\u00f3lo acompa\u00f1ado de sus amigos y familiares m\u00e1s \u00edntimos.\u00a0<\/span><\/p>\n

Seg\u00fan John Ruskin y Walter Pater, Rossetti fue: \u00abla fuerza art\u00edstica m\u00e1s importante y original de la segunda mitad del siglo XIX en Gran Breta\u00f1a\u00bb. Y en palabras de Whistler:<\/span><\/p>\n

 <\/p>\n

\u00abHe was a king\u00bb.<\/span><\/p>\n

 <\/p>\n

Jane Morris<\/span><\/span><\/p>\n

Retratada por Rossetti en decenas de bocetos<\/strong>, pinturas y fotograf\u00edas, su figura, elegante y enigm\u00e1tica, est\u00e1 expuesta en algunos de los principales Museos Brit\u00e1nicos, en colecciones privadas y en Museos Norteamericanos.\u00a0<\/span><\/span><\/p>\n

De su obra \u2014bordados, dibujos y patrones\u2014 diluida en el trabajo colectivo de la Morris & Co y a la sombra de la firma de William Morris, quedan pocas piezas. Una de ellas, el bordado \u00abHoneysuckle\u00bb conservado por la William Morris Gallery.<\/span><\/span><\/p>\n

Confesar\u00e1, al final de sus d\u00edas, que amaba Rossetti, y que \u00e9l era \u00abdiferente de todos los dem\u00e1s hombres\u00bb pero que se desenamor\u00f3 cuando tom\u00f3 el camino de la autodestrucci\u00f3n. En 1885 conoce el escritor y diplom\u00e1tico Wilfrid Scawen Blunt, admirador de Rossetti, con quien tendr\u00e1 una relaci\u00f3n que durar\u00e1 siete a\u00f1os, y con el que conservar\u00e1 una larga amistad.<\/span><\/p>\n

Muere en 1914, sobreviviendo tanto a Morris como Rossetti. Justo antes de morir compra la casa de Kelmscott Manor para dejarla en herencia a sus hijas. Tras vender la Red House, 1865, ella y Morris nunca hab\u00edan tenido ninguna casa en propiedad.<\/span><\/p>\n

 <\/p>\n

\u00abWhy should there be any special record of me when I have never done any special work?\u00bb.<\/span><\/p>\n

 <\/p>\n

\"\"
\nJane Morris, 1904<\/span><\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Jane Morris en Blue Silk Dress, de\u00a0Dante Gabriel Rossetti, 1868. 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